Parthenon Marbles

Hellenic Electronic Center (HEC) For the Reunification of the Parthenon Marbles

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Gloomy setting at British Museum

Dame Janet Suzman, chair of the British Committee for the Reunification of the Parthenon marbles and actress in an article on Saturday to Nea newspaper answers to the director of the British Museum.

“I am neither an intellect nor an academic. My position in the committee is of a simple visitor of the museum and as a visitor I can see clearly that the Marbles are in the wrong place. They need Attica’s sun to shine on them with background the blue sky. They ask to be reunited with their other half at the New Acropolis Museum where a place is always waiting for them” said Suzman in her article.

“They must be displayed in front of the Parthenon which continues to stand up. They must see this place in order I, the visitor to be able to turn my head and cry “Now I can see it, that’s from where they come from! Not any more dim light, no more orphan sculptures. They must be reunited with the other half of the pediment that is in this magnificent museum in order I, the visitor, to be able to understand the silent discussion that is held between them” she added.

Referring to British Museum director Hartwig Fischer statements that the “museum will not return the marbles permanently to Greece” she commented “I do not trust the terminology of the art historian and of the art directors when they arrogantly refer to ‘creative actions’ implying that the Marbles acquire another, equally important, nature when they are violently deprived from their siblings”.

However, she acknowledged that the director “is forced to speak diplomatically” and attacked the Museum’s custodians that “obviously as complacent-crypto-imperialists do not examine something that is fair and right”.

Concluding, Suzman quoted another member of the Committee (Alexi Kaye Campbell) “Asking for something back of huge significance which has been taken from you when you were under foreign occupation is a demand for simple justice”.

Source: Athens News Agency – Macedonian Press Agency (ANA-MPA) [Αθηναϊκό Μακεδονικό Πρακτορείο Ειδήσεων]
Photo credit: Wikipedia

Elgin, the vandal and the thief, removed and stole:
247 feet—just under half—of the total friezes(1), 15 metopes(2), 17 pediment(3),
and various pieces of architecture figures from the Parthenon.
In addition, removed and stole one of the caryatids (female sculptures)
from the nearby portico of the Erechtheion,
4 fragments from the frieze of the temple to Athena Nike,
and architectural members from the Propylaia.

He did so by “claiming” that he had permission by a Turkish firman. The truth is, as National Geographic writes:
“…Despite the ambiguity of the language in the firman, the landmark 1967 study by British historian William St. Clair, Lord Elgin and the Marbles,concludes that the sultan did not allow the removal and export of statues and reliefs from the Parthenon. A clause authorizing the British to take stones “with old inscriptions and figures” probably referred to items found in the excavations conducted on the site, not artworks adorning the temples….”

How the Parthenon Lost Its Marbles – National Geographic HISTORY MAGAZINE
In 1801 Elgin stripped the Parthenon of many of its sculptures and took them to England. The Parthenon had withstood centuries of abuse from outsiders when the thief Elgin removed its remaining sculptures in the early 1800s.Read the history at National Geographic HISTORY MAGAZINE

Today, Thursday 27th of August we will meet with Ms. Elena Korka to discuss our strategy.